local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. with the second release on local talks reissue sub label, 1nce again we bring back one of our personal underground favourites from the golden age of house music (the early 90s). back in 1994 mateo & matos released an ep on black label records entitled raw elements, which included an amazing cut called >maw basics<. its one of those raw 90s house jams that got the house bump but without the pump, its rough and funky but still deep if you know what we mean? no cheese in sight! together with the original track (now fully re-mastered) we also asked gerd (4lux, ny stomp) to make a remix that would stay true to the original but still bring it to the next level. the result is absolutely amazing and we are pretty confident that this baby will deliver knock out punches every time it blasts through a massive sound system in a proper club.

maeve is the new label from man of the moment mano le tough & his friend since the schoolyard the drifter. in an age of endless releases and labels maeve aims to release beautiful, special records that will last in the hearts of the public. maeve 01 comes from the enigmatic baikal. a berlin-based friend of both mano and the drifter, his unreleased material inspired the pair to launch the label. following huge responses worldwide in manos dj sets over the past few months, the duo are very proud to be releasing these tracks on their new imprint. the drifter provides guest vocals on >just you and me<, which is a tripped out banger in the best possible meaning of the word. the other side of the record might actually prove to be the hit, >why dont ya?< is a deep psychedelic masterpiece. the breakdown reaches a point that is both transcendent and captivating. there is clearly the work of a master.

as part of a growingly endangered breed of all vinyl musicologists, l.a.s young adults opt to let the records play in this digital age of instant gratification. the first installment in their commitment to pressed wax platters culls a collection of spectrum exploring body music from cohorts both near and far.

a classically trained pianist from the age of six, jarrah mccleary grew up in the sticky heat of the northern territory, australia. his previous project, the dirty secrets saw the band working between australia and london with iconic producer and engineer, nick terry (klaxons, libertines). after working on ideas for a new record for over two years, in early 2011, mccleary declared a new album and boarded the airplane, bound for los angeles. between splashes of yacht rock, trop-pop and nods to peter gabriel (thanks to the iconic 80s yamaha dx7 synth), a short summer experience in the city where dreams are made lead to tracks tinged with hints of hopeful house music strewn with the sleaziness of venice beach and too much free poured tequila. and so, panama was born. magic is a modern summer anthem. and what better way to celebrate the party season than some bonus remix action by the worlds most avid dance enthusiasts? the sydney-based quartet join forces with dfa heavyweights and panama fans, midnight magic and gavin russom (the crystal ark) on remixing duties for their debut release.

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano. his first forays to europe came in 2003, but it was 2005 that his own music really made an impact. having released a handful of releases and mix compilations on smaller labels, it was his picaro ep with bruno pronsato that really brought him to the attention of the music world. since then, franco has gone on to release and remix for a number of established imprints including ilian tape, produkt, claque musique, hello repeat, airdrop , international freakshow, alphahouse and the label of his great friend kasper, esperanza. in 2011 following his critically acclaimed >planet dub< debut ep on bass culture records, franco cinelli finally achieved global recognition with his massive underground remix of cassius >sound of violence< that placed strongly in many of the end-of-year top 10 best remix of 2011 lists. today franco returns to bass culture records for a new take on his trademark deep & techy house with 4 original tracks on the >take me back< ep

with two of the alan parsons projects best songs, the lovely ballad >time< and the wavy-sounding >games people play<, >the turn of a friendly card< remains one of this groups most enjoyable albums. parsons idea, the subject of the albums six tracks, centers around the age-old temptation of gambling and its stranglehold on the human psyche.
music on vinyl is proud to present yet another beauty by these british progressive rockers on 180 grams audiophile vinyl.

odd002,kdim ep comes from a pair of german-based young guns glenn astro and imyrmind. the two artists met in 2007, both sharing a burgeoning interest and eclectic taste in music from a young age. they frequently began swapping beats, ultimately culminating in a very raw and yet mature sound, which immediately grabbed our attention. the a side is a sweet and sultry jaunt, complemented with hip-tugging beats. whilst their remixes on the flip side show off a unique and finely tuned ear for the dance floor.

by 1982 new wave angry-man joe jackson had already broadened his attentions to a more diverse sound. >night and day< is a tribute to the tin pan alley style songwriting of cole porter and george gershwin, both early heroes of the english singer.
with more emphasis on keys & percussion than his earlier work, >night and day< became a hybrid of latin rhythms and jazzy horns & pianos, with stylish synths & splashy pop that perfectly reflects the new york of the early 80s. riding on the single >steppin out<, for which he was nominated for a grammy, the album crept to the number 4 position on the american and number 3 in the british charts, and eventually went gold. this is the first vinyl edition since 1985!
pressing on 180 grams audiophile vinyl, comes in gatefold sleeve.

detroit house at its best. amazing high tech jazz influenced 4 tracker by orlando b. after hearing orlando bs 2 full eps on germanys yore records, ric mcclelland & sean grieve head hunted the scottish producer for their seven music label. orlandos first outting on the belfast imprint was at the start of 2012 with a remix of giorgio luceris >one more time<. not content with just a remix, seven music asked orlando for some original works and here we have the >city life ep<. 4 tracks of chicago and detroit inspired goodness! the scottish producer and dj started making music at the age of 15 using an atari and notator sl. inspired by artists such as jeff mills, the advent, dave clarke and ian pooley, orlando began his career making techno. fast forward to 2012, orlandos studio is predominantly analogue based and his sounds have progressed to a deeper and more retrospective house sound. with 4 original tracks (1 of which is exclusive to the 12inch vinyl) the >city life ep< is arguably orlandos finest work to date. timeless yet forward thinking electronic music with soul and a record that deserves a place in any discerning djs collection!

that leather glove. that bum. one of the most recognizable and celebrated record covers from the noughties.
critics and audiences alike were blown away by the gargantuan success of the 2001 debut-album of this new york quintet, and we are still recovering from the aftershock ten years later. drawling vocals, bouncy basslines, gnarly guitar riffs, and a steadily chugging beat made >someday< and >last nite< the anthems of a new generation.
so put on your skinny jeans, tousle your hair, and find yourself a model, is this it will make you feel like the coolest kid on the new york block!
180 grams audiophile vinyl pressing.

the next release on the la-based culprit truly represents the new age of global, musical connectivity. a showcase of original material from three artists, separated by locale but united by a like-minded approach to dance music - londoner and frequent culprit flier matt tolfrey, miami-based lazaro casanova, making his label debut, and the local angeleno boy nikko gibler pay tribute to a lifestyle spent in planes, hotel and at airports with the aptly named, lax ep

nice price deal !!! storied musician and rock and roll hall of famer dr. john - mac rebennack - releases locked down, a startling album that marks a significant departure from his recent efforts. the new album, produced by the black keys dan auerbach, is dr. johns first for nonesuch records. the vinyl album also includes the complete album on cd.

a medley of immortally, electrifying, sonic gems assembled to manipulate time and secure a permanent space in your record box. drivetrains this toxic tempest starts the clock with a classic detroit-tronic wave of pads and beats accompanied by the unconscious spoken word of poet/vocalist goddess stephanie. cloudmasterweeds love showcases impassioned vocal samples atop a thunderous bass with keyboard melodies sprinkled throughout in abysmal syncopation. j garcias fireside warm-up is finely tuned deepness with no compromise to the dance floor. an apprentice to the masters of authentic detroit electronic soul, garcia has come of age. with their debut release, the dual jay ramsey and jennifer xerri comprise in2itive motion. subliminal is a smooth expedition through the deep channels of audio seduction. time stands still as rumbling subs cut through rich chords.

i am a pianist, composer, improviser, performing artist and a multitasking musician in life, currently living and working in reykjavik. i was born 1978 in seydisfjördur, iceland and have been playing the piano and keyboards since age of 9. my main focus and interest is in improvisation, composition and performance of music. how improvisation and composition can meet effortlessly as a creation of musical ideas and sounds. i am also thoughtful of the general passion & drive behind creation of things, in what way they are presented and passed on to people, in music, arts and life in general. since childhood i ve collaborated with a whole spectrum of artist, from obscure troubadours in the countryside to stadium bands, covering all fields og music, both in iceland and abroad. i have also composed and arranged a great deal of music for theater, film, art installations, performances and videos of all kinds. released my first album rask in 2002, and now i am currently composing and working on a series of records with solo piano music for radio bongo with improvised piano works i (broadcast01) as the first radio bongo release.

dikso reach the ripe old age of 10 releases in fine style with fresh new tracks by nhan solo, huxley & daniel solar, balcazar & sordo and satin jackets feat. natalie conway

vinyl only release and exclusive at decks.de !! early support from sven väth, mugwump, morpheus, mea kusma crew, peter van hoesen !! ultraphat apocalyptic / dark techno monster ep !!!

marx was totally right: the sustained reign of the exchange value and the spooky and tricky quality of the commodity - the fetishism of commodities - still keep the single individual under age and enslaved. therefore >the association of liberated people and music (vfmm)< is a necessary emancipated condition to strive for. especially the impact of art and music is able to hold on to the contradictions of reality and helps to transcend this wrong existing status qust release drive-by mix mup suspends the principle of causal relation. together we travel down a road that has lost its destination. the road becomes the actual reason for our motion. past connecting elements we cruise

unknown to the unknown drop 4 bangers on vinyl to bring in ice age season 2 - featuring ice cold hits from capracaras >house of dolls<, to palaces >mandy< - receiving support from hudson mowhawke, hot city, mumdance + many more - this one was a pure blog hit! with mad decent, fact mag, xlr8r & discobelle all singing its praises, epitomising the uttu ethos of cheap but not cheap. on the flip representing the us of a - 5kinandbone5 take 5 from producing for souja boys multimillion dollar empire sodmg gang to drop the ice sex banger >make u understand<. then finishing up with uttus biggest hit to date: dubbel dutchs >b leave< - which saw support from radio giants annie mac, toddla t & mista jam to being picked up by us web moguls pitchfork & fader as a stand out release for uttu recs in effekt!

since the last studio album from pupkulies and rebecca three years have past in which things have gathered momentum and gained a life of their own.countless concerts in renownedclubs throughout europe were held resulting in an ever growing, snowballing fan basis a certain hype has arisen around the band occurring totally organically without being triggered by the press, self generating and in real time.the recent years have shown that pupkulies and rebecca have an appeal which covers all age groups, territories and scenes.

after the success of the first two eps from wireman and and, we present an ep from tom dicicco. dj support from conforce, shifted, cio d or, giorgio gigli, forward strategy group, max m rec, answer code request, par grindvik, kowton and more... inner surface music present their third release. after the success of the first two eps from wireman and and, we are very proud to present an ep from tom dicicco. 2011 was a big year for tom dicicco with a string of high profile releases on traut, stockholm ltd, project squared and finale sessions. tom made his debut in berghain this february 2012, playing along side fanon flowers live, norman nodge, marcel fengler and grovskopa. showcasing his skills as a producer from a young age, tom has really managed to develop a sound of depth and maturity. deep textural soundscapes and dub aesthetics run throughout this release, with exit showing a darker side to his sound - dub techno built for the dancefloor. vent has real swing, using loose techno rhythms to build momentum and ferocity around the dub chords and textures filling the resonant space. high ground is a dub house track using playful vocals, cutting textures and a low slung bassline to build a pulsating irresistible groove

leave it up to fulvio to bring the heat with >pandemonium<, the latest ep by the wishmaster!bringing hardcore essentials with a solid intent to disturb and destroy, the wishmaster raises the bar to a new level.
dropping kicks and rocking vocals from left to right and back, these beats and melodies are shattering tools for the impatient. brought with italian elegance, >pandemonium< and >oldschool trip< set the stage for some serious dance-floor antics. the 2 upbeat stompers are joined by mid-tempo bash >back 2 classic<. presenting subtle flashbacks from a hardware driven age, neatly packed in an up-to-date statement.
if you had one chance, what would you wish for?

the vinyl factory and island records present a deluxe gatefold vinyl edition of paul wellers new album, sonik kicks. pressed on heavyweight 180-gram vinyl, housed in a specially treated sleeve with exclusive insert written by michael horovitz.

nice price deal !!! young legionnaire is paul mullen (yourcodenameis:milo, the automatic) on vox and guitar, gordon moakes (bloc party) on vox and bass, and dean pearson on drums. this ep is the follow up to their highly acclaimed debut album, >crisis works< (released by wichita in 2011). it features five brand new tracks and is released in a strictly limited edition of 500 copies on 10 inch vinyl. recorded in london and newcastle, it was mixed by alex newport (frank turner, death cab for cutie, two gallants) in new york. for fans of bloc party, yourcodenameis:milo, queens of the stone age, the bronx.

last year’s ‘the age of compassion’ by chicago underground house don tevo howard was one of the standout tracks for buzzin’ fly in 2011with widespread dj and media support. it joined his burgeoning body of work on other acclaimed labels such as rush hour and his own beautiful granville. now tevo returns with his follow-up for buzzin’ fly. if ‘the age of compassion’ was a simple and elegant dancefloor bump wrapped in warm analogue melancholia, then the ‘monument ep’ is its nemesis - a stark future-retro reinterpretation of the origins of house music build from the bare components of machines: raw drums, sub bass, sine waves, square waves and oscillators. and yet there is still a burnished beauty to this ep. all three tracks seems to find echoes of each other in their arrangements and brittle harmony. machine music for the modern age edged with passion and feeling, and another fresh step for its producer.

gabriel ananda was captivated by the sound of classical music by the early age of 8. he was encouraged by his family to practice the cello, but it was through playing the guitar that fueled his motivation to continue to learn about music. the guitar became a useful tool to express his creativity, but gabriel was not finished searching for his musical direction. in 1995 that changed. a dj set by sven väth was the pivotal moment that ended gabriels search to find his passion and two years later, the new producer celebrated his first release for the german label hörspielmusik. he went on to release singles on treibstoff, trapez, platzhirsch, and karmarouge before producing what was for him, a life changing track

polar era comes out! this is the second reference of lycaon label owned by agony forces, the group that already surprised with their first: the noir age . this delivery is composed by two original tracks and remixes by the duo ancient methods from berlin, and by the leader of techno in spain, oscar mulero.

bria valente (born brenda fuentes) is an american singer based in minneapolis. she released her debut album, elixer as part of a three-album set with princes lotusflow3r and mplsound in 2009, which debuted at #2 on the top billboard albums chart.
she first met prince at the age of 17 at paisley park studios while working with keyboardist morris hayes and later began her association with prince, contributing vocals to his 2007 album planet earth.
in 2009 she recorded the elixer album, singing lead vocals with prince on guitar and morris hayes providing beats. out this week on vinyl and picture disc formats featuring brand new club mixes by jamie lewis (purple music) & david alexander (icon collective).

limited picture disc edition!
bria valente (born brenda fuentes) is an american singer based in minneapolis. she released her debut album, elixer as part of a three-album set with princes lotusflow3r and mplsound in 2009, which debuted at #2 on the top billboard albums chart.
she first met prince at the age of 17 at paisley park studios while working with keyboardist morris hayes and later began her association with prince, contributing vocals to his 2007 album planet earth.
in 2009 she recorded the elixer album, singing lead vocals with prince on guitar and morris hayes providing beats. out this week on vinyl and picture disc formats featuring brand new club mixes by jamie lewis (purple music) & david alexander (icon collective).

zooloft records is approaching to the era of future tech-noir and this release is the result of an internal process of thoughts and ideas behind them. it tells the story of a sad wanderer who is trying to find the path to personal truth. outside, a desolate scenario of modern architectures of cold glass, standing to the edge of horizon. a wonderland of mirrors and empty landscapes: the triumph of solitude. the a side starts with a complex and claustrophobic dark-techno driver which sets a point of no-return. an obsessive pattern of sub-frequencies collides with breaths from the beyond. sound paranoia. the highest frequencies create phrenetic and compulsive rhythms to make the dynamics imploding. the heroes of modern-age industrial techno, orphx, make the path to truth harder. they trace an obscure reinterpretation of the a side with a percussive alarm that marks the time, while dense and anxious atmospheres are followed by syncopated beats and distorted high-frequencies. the breaths from the beyond are now closer than ever. the ep gets closed by an evocative, thoughtful and beatless composition. the perfect soundtrack for those who are wandering and wondering

though some only know the byrds for their covers, critics believe that they are amongst the most important and influential bands of the 1960s. their signature sound of clear harmony singing and jangling guitars combined well with the sounds of british invaders the beatles & the rolling stones, and they became the pioneers of folk rock, psychedelic rock, raga rock, and country rock.
the recording of the 1968 album >the notorious byrd brothers< in the heyday of the flower power age was nothing less than herculean, disputes over artistic direction & power struggles within the band meant that by the time recording was finished there were only two byrd-members left. the album was a labour of love, though, its more experimental and progressive than their previous works and is considered one of the best albums they made ...
re-issue on 180 grams audiophile vinyl.

from the public dance hall to the disco, from the smooch to the shake, fromthe orchestra to the deejay. daniele baldelli remains one of the first italiandeejays, who started his illustrious career back in the 60s and became one ofitalo discos kings of the dancefloor throughout the 70s and 80s. >cosmic disco? cosmic rock!< celebrates a turntable odyssey from a man who lived andbreathed italian disco, american rnb and synth pop and pioneered the soundwhich, with retro chic hindsight, has influenced everyone from i-f, hell, felix, miss kittin & the hacker, marco passarani, tiga, trevor jackson, lindstrom, bochum welt and dopplereffekt amongst many more djs and producerswho have mined the golden age of synth pop for inspiration. featuring rare andhard to find tracks from fra lippo lippi, positive noise, the romantics, labionda, ray parker jnr., thompson twins, martha and the muffins and richard bone, >cosmic disco? cosmic rock!< takes on a dancefloor mission to the shoresof lake garda where from 1979 – 1984 cosmic was the place to be and danielebaldelli was the disco king at its epicentre.

on this white label, we bring together two of the best producers in the uk to give there perspective of the work of sbtrkt. the ratio of quality to quantity in the braiden repertoire is disproportionately weighted in favour of quality. his debut release >the alps<, on joy orbisons label doldrums, certified him as a meticulous detailed producer. if youve heard is rinse fm show, youll have enjoyed the intensity and breadth of his perspective. this musicological take on sbtrkts >pharaohs< recontextualises roses gabor afro-futuristic vocals line in a more genuinely space-age industrial club sphere. the darker edge to lil silva is just the baddest of all uk house producers. his uk funky background has sheltered him from the hype lauded upon the flavour of the month post-dubstep producers of his generation. as a result, hes continued to garner respect from all sides, from the garage scene to the tech house scene. his treatment of >living like i do< takes his mate samphas vocal and adds a jerk discord to an already tense and dramatic vocal performance. his trademark 2-note bassline presents itself with its usual menace, ensuring waistlines to react promptly.

with two massive reissues from suns of arqa and jaki whitren under their belts, the fledging label emotional rescue have come up with the goods once again, with this remastered reissue of incredibly rare 70s psyche-funk from bob chance. two versions are included: the original 7 inch version, driven along by a razor-sharp guitar riff and sweetly lamenting lyrics, topped off with weird cosmic synths and galloping rhythm. however, the real gem is the edit entitled >wild its broken< which sharpens the focus of the guitar and adds some serious kick to the drums to create a beefy counterpart to the new age original.

after bringing rayko to their ever-growing retrospective fold for retro003, then following up with the infamous >street machine<, the still unmasked ruben & ra are proud to welcome montenegros revered house cat, fil lavin. already generating comparisons to house patriarchs such as chez damier, kerri chandler and ron trent to the current day likes of nicolas and graham the revenge clark, fil pursues a distinctly stateside sound reminiscent of the output of nu groove, strictly rhythm & nervous from the golden age of us house. having already hit retrospectives soundcloud page, >soul brother< is already in high demand with requests coming in on a daily basis for a release date.

reaching the age of twenty and barely legal, > cabin fever< presents this mysterious e.p from downtown miami. and what better way to end the year than with these super funky, slow-mo funk infused house jams that are sure to bring some sunshine onto the dancefloor!

after 7 years of staying out of the limelight, mille & mr.hirsch (playhouse, newpolish, r.a.n.d. musik and much more!) are back with new material. the new imprint owes its name to a group of berlin artists called apollo krieg who produce fashion, artworks and whacky installation art. with berlin as their base, mille & mr.hirsch hang around & see much of their work influenced by the work of this group and decided to name it after this group of artists – true to the motto: nowadays the guys from apollo krieg also produce music. side a: (apollo/alpha) golden age is the classical, heart-warming, romantic and seemingly never-ending deephouse epic which finds its place somewhere between detroit house, balearic, jazz and funk. it is always a tad larger than life and opulent in harmony and melody but, with due to its well-defined instrumentalization, it seems somehow traditional. this track has a 9-minute arc of suspence and is devoid of any drum-machine orgies and razzle-dazzle a unique piece of shit!side k: (krieg/kokain) kinky love is a bit more modern, with more track, less melody and less music. the mix of strong samples (e.s.p./kinky go) with slightly dark and deep functional track make this 8-minute track a potential floorfiller! best regards apollo krieg berlin

the brand new triphouse rotterdam label kicks off with a full ep by utrechts electronic boy wonder frits wentink. although being just 23 years of age, the dutch talent displays some highly advanced production techniques and delivers a vibrant and very modern take on house music. not sounding like anything else out there and with a real strong sense of identity this youngster clearly has a bright future ahead of him. the result of his work is an irresistible smasher that will cause some serious stir on dance floors and home systems alike.

wer mal wieder einen 70er magma sound haben will, sollte sich moab anhören. deren heisser sound kommt aus l.a. und ist musikalisch irgendwo zwischen queens of the stone age, black sabbath, kyuss und the sword angesiedelt. limitierte, handnummerierte vinylauflage von 500 kopien mit download code.

180 grams audiophile vinyl 2x12 inch lp + bonus 10 inch.
included in this music on vinyl edition is a 10 inch with the hit >cant knock the hustle< (fools paradise remix ft. melisa morgan) with an instrumental on the flip side.

2011 has seen a string of stellar releases from the dynamic force giving house music a new accessible heartbeat, mario & vidis. now, ahead of their album set for release in january, the >changed sampler< lands featuring a dub version of future classic anthem >changed< and three additional choice cuts. an apt advocate to the new age slow house sound they are making their own, mario & vidis will fully unveil their masterful debut album >changed< this coming winter but here lies a taste of both proceeding discs. a prelude to the wide musical terrain these lithuanian scene pioneers are striding through, the album sampler captures a glimpse of the epic soundscapes, hypnotic pop melodies and ghostly soul that ultimately leads into raw house on disc two.

william anthony bois was born in stockholm, sweden, in 1991. he expressed an early interest in music, especially electronic music. whilst william demonstrated a natural tallent for piano composition from an early age, in 2003 he began channeling his creativity into house music after a friend introduced him to fruity loops. early street dancing lessons introduced him to funk which has been a source of inspiration ever since the age of nine. he continued the dancing with the dance group funky 4 brothers and has performed around europe and sweden. william also studied music production and sound engineering at sixth form college. this background has given him a firm foundation from which to express his music through a variety of rhythms and tone that give his music an individual flavour.

it is a great honor for us to welcome such a living legend, a pioneer from the chicago house scene: mr k alexi shelby ! at the age of 12 he was already moving in the right circles, befriending frankie knuckles and ron hardy whilst frequenting the famous warehouse. his upbringing in chicago in the 70s and 80s meant that he was exposed to a range of genres and different styles of music including stevie wonder, prince, curtis mayfield and david huff. these same names would prove to be the roots of his influences. for his first collaboration with syncrophone, k alexi delivers a sublime set of new unreleased tracks + a new edit of his classical my medusa previously released in 1989, here called my sweet mf. year 2011, mr k alexi shelby is definitely back for a future classix

for their third release catapult records follow the organ grinders new age people & obsession with another taste of retro house this time from ratcatcher. bubbledub and nightlife are two classy house groovers that sits somewhere between strictly rhythm circa 94 and keri chandler in vibe.

slamming four track vinyl compilation with strong floorfriendly house

supported by richie hawtin, dave clarke, laurent garnier, deetron, joseph capriati, magda, karotte, secret cinema, ivan smagghe, stephan bodzin, par grindvik, agoria, kenny larkin, cassius, hernan cattaneo, funk d void, paul woolford, alexander kowalski, marco bailey, pig & dan, misstress barbara, joel mull, martin eyerer and many many more!
whats in a name? well, a lot in tim wolffs case. he returns to the imprint that has a striking resemblance with his last name. and mr wolffs pure, stripped down and uptempo techno productions fit wolfskuil records all to well.
get ready for uncompromising big room techno. the genres popularity is ever growing this day and age. not surprising as its a perfect soundtrack in todays uncertain and detached society.

the arresting voices of black, young proteges of the wolf + lamb family, come of age as both producers and lyricists with their zenith her flower ep. introducing new vocal crush rap lisa - whose colloquial melodic verse is a perfect match to the brooklyn boys refreshing take on warm, soulful space funk & house. also featuring a searing greg paulus cover, this release is poised to set vob on fire

panacustica’s fourth release is amongst cosmic metal mother’s finest work. “time is now” the track in question, defies definition by mastering a style on it’s own, by fusing elements echoing from prog-rock drenched with emotional content into an adult and contemporary way of delivering which is unique to the cmm writing style. the original is melancholic bliss. a vocal line at the center of the piece whispers words about oscar wilde and mr. death accompanied by a cello melody that grows bigger and bigger into an angelic cascade of notes. the track begins and ends in the most bare way with just a drum beat leaving you with the feeling you have just entered a loop where time is irrelevant. commodity place has the second cut of the a side. the duo from rome, known in the global underground of the vinyl tribes for their signature guitar style, chooses to call their mix “experience”, clearly paying homage to the gods of rock, delivering a guitar solo that will fire up your speakers and fill your eyes with the brightest psychedelic colors that we all so desperately need in this age of grey anonymity. the b-side is a full eight-minute mix by the man who needs no introduction and made us all dance since day one, larry heard, a.k.a. mr. fingers. his version is a fast “four to the floor” track, where a shaker drives the house beat into the melodic lines and voice borrowed from the original, making it one hundred per cent dance floor efficient with the modernity and mastery of his touch

john digweeds bedrock records celebrates a milestone 100th single release in superb style with two of the best tracks that you will hear this year, from two of the most creative young producers in the electronic dance scene – guy j and henry saiz. in this day and age to not only survive as an independent label, but to flourish and constantly evolve, bringing forward new and exciting talent, is something that should be applauded. a mark of the global respect and love that bedrock has steadily gained through years of releasing quality dance music that rides the waves of trends and fashions is the fact that this bed100 release received over 12.000 listens on soundcloud before it was even officially announced!

after years, this vinyl-wielding 4-piece originating from brighton — the one and only soft rocks — have finally committed their collective wit to a slew of original tunes. >we hunt buffalo now< is a punky dub monster serving as the first single in a series surrounding their = imminent debut album, >the curse of soft rocks<. in an age where any laptop-savvy poseur can upload their bland nu-disco or faux-chi-house directly to the cesspool of digitally downloadable fodder, it is more than refreshing to hear this cheeky bunch blending a mixed bag of instrumentation and obscure influences so recklessly. guest vocals are provided by san francisco post-punk hero jorge socarras (vocalist of indoor life and songwriter for patrick cowley). in case that wasnt enough, flip her over for the genius remix by andrew weatherall, a bonafide glam stomper that slaps you across the face with a fuzzy bassline and greaseball guitar chords. pure class.